![]() ![]() Pixel Film Studios introduces its' largest collection of titles yet with the FCPX Title Mega Pack for Final Cut Pro X. Utilizing 3D projection, you can apply a photo of any face and turn it into a 3D mesh that is animatable inside Final Cut Pro. Your computer monitor does not accurately display highlights much past 100 IRE.Help your photos come to life with FCPX 3D Portrait from Pixel Film Studios. However, color grading HDR requires an HDR monitor. HDR holds tremendous promise for making our images much more realistic. Simply because the difference is so dramatic, here’s a before and after of the same HDR frame after LUTs and color grading are applied. 2020 PQ, it may take up to 20 seconds for the scopes to switch over and properly display Nits. Remember, Nits are only displayed for Rec. NOTE: If you switched an existing project from Rec. As long as you are in a PQ project, Nits will be the unit of measure. ![]() NOTE: Here’s an article that explains LUTs in more detail.įinally, choose View > Show in Viewer > Video Scopes (shortcut: Cmd + 7) to display the video scopes. Next, if necessary, apply any required camera LUTs to your footage. You’ll find the color space listed under the frame size/frame rate. NOTE: You can tell the color space settings for a project by looking at the top of the Info Inspector. Whether you started with a new or existing project, in this screen set the color space to Wide Color Gamut – Rec. However, doing so will totally mess with any existing color grading that you’ve done. NOTE: You can change the color space settings of a project at any time. If you have already created a project, select it in the Browser, then choose Window > Project Properties (shortcut: Cmd + J) and click the blue Modify button. If you are creating a new Project, click Use Custom settings. NOTE: You can’t create HDR projects until the Library is “HDR-enabled.” This switches that specific library into HDR mode. With the Library selected, go to Inspector > Library Properties and click the blue Modify button. ![]() (You can also, at any time, change the settings of an existing Library or project.) Here’s what you need to do to display Nit values.Īfter creating a new Library, select it in the Library list. This is because HLG projects are designed for backward compatibility with traditional HD video levels, so the white levels appear to top out at 100%. Nits can only be displayed for HDR projects specifically, Rec. ![]() With that as background, let’s take a look at how to display Nit values in Final Cut. And, for the purposes of most of us, one IRE is roughly 1 Nit, at least when looking at video scopes. Still, when we work with HDR media, we are often working with brightness levels greater than the 100 IRE of traditional HD media. The high-end of the HDR spec allows up to 10,000 nits – something no monitor today can deliver. ( Livewire)Ĭurrently, Mac monitors support Nit levels of 500 nits. To put this into perspective, an average TV may have the capability to output 100 to 200 Nits, while HDR-compatible TVs may have the ability to output 400 to 2,000 nits. On a more technical level, a NIT is the amount of light output equal to one candela per square meter (cd/m2 – a standardized measurement of luminous intensity). Nits, which are a measure of brightness, are principally used when working with monitors and HDR media.ĭefinition: A Nit is a measurement of how much light the TV screen sends to your eyes (luminance) within a given area. Todd wrote to ask: “How do I display Nit values in Final Cut Pro X?” ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |